• Subscribe to our newsletter
The Media Online
  • Home
  • MOST Awards
  • News
    • Awards
    • Media Mecca
  • Print
    • Newspapers
    • Magazines
    • Publishing
  • Broadcasting
    • TV
    • Radio
    • Cinema
    • Video
  • Digital
    • Mobile
    • Online
  • Agencies
    • Advertising
    • Media agency
    • Public Relations
  • OOH
    • Events
  • Marketing
    • Thought Leaders
    • Campaigns
    • Research
    • Media Education
      • Media Mentor
  • Press Office
    • Press Office
    • TMO.Live Blog
    • Events
    • Jobs
No Result
View All Result
  • Home
  • MOST Awards
  • News
    • Awards
    • Media Mecca
  • Print
    • Newspapers
    • Magazines
    • Publishing
  • Broadcasting
    • TV
    • Radio
    • Cinema
    • Video
  • Digital
    • Mobile
    • Online
  • Agencies
    • Advertising
    • Media agency
    • Public Relations
  • OOH
    • Events
  • Marketing
    • Thought Leaders
    • Campaigns
    • Research
    • Media Education
      • Media Mentor
  • Press Office
    • Press Office
    • TMO.Live Blog
    • Events
    • Jobs
No Result
View All Result
The Media Online
No Result
View All Result
Home Advertising

Automating TV ad activation is hard: Adobe exits the business

by Dave Morgan
June 22, 2020
in Advertising
0 0
0
Share on FacebookShare on Twitter

In its earnings call Friday, Adobe President and CEO Shantanu Narayen announced the company was shuttering Adobe Advertising Cloud transaction-driven offerings, the TubeMogul TV and digital video ad activation business it acquired in 2016.

Narayen remarked that its Advertising Cloud transaction-driven offerings were “low margin”, not core to Adobe’s business, and “in fact are extremely resource-intensive”.

With the announcement, Adobe joined a long and venerable list of companies that have met their match trying to automate the activation of TV advertising. Remember eBay TV-Ad Auction? Spot Runner? Google TV Ads? Microsoft Admira? Aol/Adap.tv? Videology?

Why have so many companies tried and failed to build profitable, scalable businesses automating TV advertising with digital-born techniques? 

The reason for trying is obvious: TV advertising is where the money is, generating more than $70 billion in US spend last year. The repeated failure part is a bit more complicated, but having had a front-row seat throughout, I have my opinions. 

Here are the main reasons why so many have failed to automate the activation of TV advertising:

It takes more than pretty dashboards. Too many of the TV buying services were mechanical Turks: pretty dashboards that just handed off insertion orders to conventional buyers and traffickers to buy the old-fashioned way.

Trafficking TV spots conventionally is very time-consuming, and the faux precision of tight targeting and fast turnarounds as suggested by digital dashboards created expectations that labor-intensive “managed services” couldn’t deliver on, certainly not without being “extremely resource-intensive” and quite unprofitable.

Retrofitting digital buying systems to TV doesn’t work. The workflow of TV and digital are about as opposite as you could imagine. In TV, demand for inventory exceeds supply. In TV, planning and buying have little to do with each other, with planning now more of a Kabuki dance that occurs the better part of a year before many spots actually air.

Rather than retrofitting, automating TV ad activation means integrating into the TV ad workflow, particularly the internal trafficking, many times using software to connect into TV media owners’ human management systems. 

That way of operating is foreign to how most digital ad systems were created, intended more for real-time bidding, largely unchecked access to inventory and rates, and advertiser-managed creative delivery. 

Without the capacity to have true automation from planning to buying, ideally integrated and automated to the network spot level, buyers/advertisers are left with a better plan, but no better chance to execute it; basically, too many cards short of a full deck to be useful.

Commingling economics with agency buyers doesn’t end well. When buyers are incented through shared fees (frequently undisclosed) to use an ad activation platform, the platform tends to underinvest in technology and overinvest in client management. As volume grows, advertisers want fees to go down, agencies want bigger cuts, and the number of account managers (costs) keep growing. 

It’s a vicious circle, and ultimately death spiral. All you need to do is remember Videology’s bankruptcy. WPP’s Group M was both one of its biggest debtors and creditors. These days, transparency rules.

Access to broad pools of inventory is critical. A digital ad planner for TV that doesn’t connect into a broad and diverse pool of inventory is at a big disadvantage. Google TV Ads was way ahead of its time in many ways, but its reliance on inventory primarily from Dish, with little bits from a couple of the NBCU networks, meant it couldn’t do optimized audience-based campaigns in any significant way. It just ended up being an easy way to buy pre-bought inventory on Dish. 

The same thing has happened to those ‘platforms’ that were just dashboards on top of limited pools of pre-bought, bartered or daisy-chained inventory from other intermediaries (frequently non-disclosed to hide provenance and mark-ups).

Truly automating the world of TV ad activation is hard. It has defeated many who have tried. What do you think?

This story was first published by MediaPost.com and is republished with the permission of the author.


Dave Morgan, a lawyer by training, is the CEO and founder of Simulmedia. He previously founded and ran both TACODA, Inc, an online advertising company that pioneered behavioural online marketing and was acquired by AOL in 2007 for $275 million, and Real Media, Inc, one of the world’s first ad serving and online ad network companies and a predecessor to 24/7 Real Media (TFSM), which was later sold to WPP for $649 million. Follow him on Twitter  @davemorgannyc

Dave Morgan

Dave is the CEO and founder of Simulmedia. He previously founded and ran both TACODA, Inc., an online advertising company that pioneered behavioral online marketing and was acquired by AOL in 2007 for $275 million, and Real Media, Inc., one of the world’s first ad serving and online ad network companies and a predecessor to 24/7 Real Media (TFSM), which was later sold to WPP for $649 million. After the sale of TACODA, Dave served as Executive Vice President, Global Advertising Strategy, at AOL, a Time Warner Company (TWX). A lawyer by training, Dave served as General Counsel and Director of New Media Ventures at the Pennsylvania Newspaper Association in the early 1990’s. Dave received a B.A. in Political Science from The Pennsylvania State University and a J.D. from the Dickinson School of Law. He serves on the boards of the International Radio and Television Society (IRTS) and the American Press Institute (API), and was a long-time member of the executive committee and board of directors of the Interactive Advertising Bureau (IAB). He and his wife, writer Lorea Canales, live in Manhattan with their two daughters.

Follow Us

  • twitter
  • threads
  • Trending
  • Comments
  • Latest
Awards Wrap: Radio Workshop nominated for Podcast of the Year, Bar & Beverage Awards 2023 winners announced, grab those MOST Awards tickets now

Awards Wrap: PRISM Awards honours PR professionals, Euphoria Telecom launches No Bull Prize, Red & Yellow students thrive at The Loeries

October 21, 2025
Media Moves: TASTE turns 20, Anele, Lira and Janine van Wyk are FEARLESS in new campaign; Alex Okosi new MD for Google Africa, Accenture Song wins Telkom business

Media moves: MultiChoice Group and FAME Week Africa launch drama commissioning opportunity, Retroviral appoints Koketso Masisi as ECD, Primedia+ launches Apple CarPlay and Android Auto

August 13, 2026
The great advertising divorce

The great advertising divorce

August 11, 2026
Beyond girlboss: Women shaping the creative industry

Beyond girlboss: Women shaping the creative industry

August 12, 2026
The Shards transforms Bret Easton Ellis’s 1980s LA nightmare into a warning for the present

The Shards transforms Bret Easton Ellis’s 1980s LA nightmare into a warning for the present

0
Heineken backs South Africa’s next generation of creative talent at Cannes Young Lions 2026

Heineken backs South Africa’s next generation of creative talent at Cannes Young Lions 2026

0
Behind every application is a life

Behind every application is a life

0
Philipstown WireCar dominates Bookmarks as Accenture Song and Ogilvy tie for top agency prize

Philipstown WireCar dominates Bookmarks as Accenture Song and Ogilvy tie for top agency prize

0
Philipstown WireCar dominates Bookmarks as Accenture Song and Ogilvy tie for top agency prize

Philipstown WireCar dominates Bookmarks as Accenture Song and Ogilvy tie for top agency prize

August 14, 2026
The Shards transforms Bret Easton Ellis’s 1980s LA nightmare into a warning for the present

The Shards transforms Bret Easton Ellis’s 1980s LA nightmare into a warning for the present

August 14, 2026
Heineken backs South Africa’s next generation of creative talent at Cannes Young Lions 2026

Heineken backs South Africa’s next generation of creative talent at Cannes Young Lions 2026

August 14, 2026
Behind every application is a life

Behind every application is a life

August 14, 2026

Recent News

Philipstown WireCar dominates Bookmarks as Accenture Song and Ogilvy tie for top agency prize

Philipstown WireCar dominates Bookmarks as Accenture Song and Ogilvy tie for top agency prize

August 14, 2026
The Shards transforms Bret Easton Ellis’s 1980s LA nightmare into a warning for the present

The Shards transforms Bret Easton Ellis’s 1980s LA nightmare into a warning for the present

August 14, 2026
Heineken backs South Africa’s next generation of creative talent at Cannes Young Lions 2026

Heineken backs South Africa’s next generation of creative talent at Cannes Young Lions 2026

August 14, 2026
Behind every application is a life

Behind every application is a life

August 14, 2026

ABOUT US

The Media Online is the definitive online point of reference for South Africa’s media industry offering relevant, focused and topical news on the media sector. We deliver up-to-date industry insights, guest columns, case studies, content from local and global contributors, news, views and interviews on a daily basis as well as providing an online home for The Media magazine’s content, which is posted on a monthly basis.

Follow Us

  • twitter
  • threads

ARENA HOLDING

Editor: Glenda Nevill
nevillg@themediaonline.co.za
Sales and Advertising:
Tarin-Lee Watts
wattst@arena.africa
Download our rate card

OUR NETWORK

TimesLIVE
Sunday Times
SowetanLIVE
BusinessLIVE
Business Day
Financial Mail
HeraldLIVE
DispatchLIVE
Wanted Online
SA Home Owner
Business Media MAGS
Arena Events

NEWSLETTER SUBSCRIPTION

 
Subscribe
  • About
  • Advertise
  • Privacy & Policy
  • Contact

Copyright © 2015 - 2026 The Media Online. All rights reserved. Part of Arena Holdings (Pty) Ltd

Welcome Back!

Login to your account below

Forgotten Password?

Retrieve your password

Please enter your username or email address to reset your password.

Log In

Add New Playlist

No Result
View All Result
  • Home
  • MOST Awards
  • News
    • Awards
    • Media Mecca
  • Print
    • Newspapers
    • Magazines
    • Publishing
  • Broadcasting
    • TV
    • Radio
    • Cinema
    • Video
  • Digital
    • Mobile
    • Online
  • Agencies
    • Advertising
    • Media agency
    • Public Relations
  • OOH
    • Events
  • Research & Education
    • Research
    • Media Education
      • Media Mentor
  • Press Office
    • Press Office
    • TMO.Live Blog
    • Events
    • Jobs

Copyright © 2015 - 2026 The Media Online. All rights reserved. Part of Arena Holdings (Pty) Ltd

Not enough quota to unlock this post
Unlock left : 0
Are you sure want to cancel subscription?