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Home Advertising

When ‘Good Good’ creative is actually bad

by Cory Treffiletti
October 13, 2026
in Advertising
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When ‘Good Good’ creative is actually bad
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  • The Good Good Golf and Callaway advertising controversy followed a co-branded social media ad published on 21 August 2026 that showed a man shoving a female golfer to the ground.
  • Callaway apologised, acknowledged that it had approved the ad, ended its three-year partnership with Good Good Golf and pledged a donation to organisations addressing violence against women.
  • The controversial ad was removed on the same day it was published, but the fallout included executive departures, retailers pulling Good Good apparel and the loss of sponsorship and media opportunities.
  • Marketing teams should test potentially controversial creative with independent audiences before publication. Even a small digital focus group can identify reputational risks that internal approval teams overlook.
  • Marketing strategist Cory Treffiletti argues that speed and confidence are not substitutes for strategic thinking. Independent testing, clear approval processes and objective judgement are essential to protecting brand reputation.*

I play golf, and I love the Callaway brand. It’s the only brand of clubs and balls I ever play with, so it’s a little uncomfortable to write a column about the recent Good Good social media ad mess from a couple of weeks back.

Diving into my thoughts on this one, I realised Good Good made a huge error and Callaway also made a mistake — but fundamentally, this was an error of process as well as judgement, and one that could have been avoided with some strategic process. It’s a process most marketers need to pay attention to.

In case you missed it (unlikely, given how fast this traveled), Good Good Golf and Callaway put out a co-branded ad for a new driver in which the Good Good co-founder shoves a female golfer to the ground and tells her not to touch his club.

It went live 21 August, and came down the same day, which says a lot. A man forcibly shoving a woman to the ground and berating her is not a good look for any brand, and any marketer should have known this.

Fast and brutal fallout

The fallout was fast and brutal. Callaway apologized, said it had approved the ad, and launched an internal investigation into the origin of the snafu. It also ended a three-year partnership with Good Good and committed a meaningful donation to organisations that address violence against women.

Good Good’s CEO and president both left the company within about two weeks of the ad going up, with the co-founder stepping in as interim CEO. Retailers pulled Good Good apparel from shelves. A media partner reportedly scrapped a show reboot it had planned with the company. A PGA Tour sponsorship got dropped.

That’s a lot of consequences for something that lived online for less than a day. Somehow, this ad passed through at least two sets of eyes at Callaway and Good Good who presumably knew what their brands stood for, knew their audience, and still didn’t flag a man tackling a woman and berating her as a problem.

The humour trap

The main process question here: Did anyone show the ad to a single person outside the room where it was created before it was published?

I think what probably happened is that a small group of people created the ad, and then they became the approval team. They did not run it up the flagpole for approval. They did not seek input from research. I can’t imagine legal looked at this ad.

That’s the trap of trying to do humour. It’s the hardest creative territory to get right because it requires you to correctly predict a stranger’s reaction. The people evaluating it in the room are, by definition, not strangers.They already knew the intent, and by being in on the ‘joke’, they are not the people who should be evaluating it.

Focus groups help

We have never had a faster or cheaper way to find out how an idea lands with people. A small digital focus group certainly helps. Five people outside the agency and outside the brand team, with no reason to be polite about how they may respond, would have flagged this one quickly.

I don’t think this is really a story about one bad ad, even though this was a genuinely bad ad. I think it’s a reminder that speed and confidence aren’t strategic values.  You need testing and rationale. The people closest to an idea should not judge whether it’s a good idea.

The only thing that has to change is having someone in the room willing to ask the question before it goes live. That’s the way to avoid a career-ending, brand-murdering ad like this one. It made Good Good a bit of a joke, and a brand unlikely to recover.

* Summary created by AI.

This story was first published by MediaPost.com and is republished with the permission of the author.

Cory Treffiletti is chief marketing officer at generative AI-powered product placement platform, Rembrand. He has been a thought leader, executive and business driver in the digital media landscape since 1994. In addition to authoring a weekly column on digital media, advertising and marketing since 2000 for MediaPost‘s Online Spin, Treffiletti has been a successful executive, media expert and/or founding team member for a number of companies, and published a book, Internet Ad Pioneers, in 2012.


 

Tags: advertising approval processadvertising ethicsbrand damagebrand reputation managementbrand safetyCallawayconsumer backlashCory Treffiletticreative riskcreative testingcrisis communicationsfocus group testinggender based violencegolf advertising controversyGood Good ad controversyGood Good Golfmarketing researchmarketing strategyMediaPostRembrandsocial media advertising

Cory Treffiletti

Cory Treffiletti is SVP at fintech leader, FIS. He has been a thought leader, executive and business driver in the digital media landscape since 1994. In addition to authoring a weekly column on digital media, advertising and marketing since 2000 for MediaPost's Online Spin, Treffiletti has been a successful executive, media expert and/or founding team member for a number of companies and published a book, Internet Ad Pioneers, in 2012

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